I invite you into my creative journey, an ongoing exploration shaped by memory, material, and the layered depths of imagination.
My work moves between past and present, between what is visible and what lies beneath the surface, searching for connections between memory, displacement, and form.
Since 2017, the interaction between transparent sheets, the canvas of the contemporary, and the ancient tactile presence of jute has become a central area of my research. Within this dialogue, transparency and opacity, precision and rawness, merge into a layered visual language reflecting fragmentation, material memory, and the traces that persist through time.
Projects such as *Boundless Mutual Connection Through Art* and *The Intellectual Decapitation of Suriname* extent beyond the individual artwork,
gradually developing their own internal dynamic. Through participation, fragmentation, and shared experience, the works unfold within a broader human and social context.
With *LUMORAS*, a more intuitive path toward awareness is explored, where material and form engage the imagination and create space for reflection on existence, continuity, and the fragile relationship between humanity and nature.
With *MEMOS*, poetry, color, and form converge in a visual language where rhythm, emotion, and composition seek a careful equilibrium.
This website presents a curated selection of works, concepts, and ongoing investigations, an entry point into a continuously evolving of my creative journey.
In 1975, I held my first exhibition at sociëteit Het Park. The response was encouraging, there was strong interest, and many works were sold.
This was more than a success; it was a necessary condition for continuing as an artist in a context without social support systems, where sustaining a practice depended directly on public engagement and sales.
This work belongs to a series that marks the result of my first exploration of transparent sheets and jute, where two contrasting materials reinforce each other from their unique physicality
My research into the interaction of materials gradually led me toward this visual language, a direction that resonated naturally with my artistic development.
More than a new approach, it opened a space for continuity, growth, and deeper exploration.